In February 2017, the conference 'Mieczysław Weinberg (1919-1996): A Rediscovery' will take place in Moscow, arguably the largest ever event devoted to Weinberg's life and music. The conference will unite performers, theatre directors and stage designers, academics, and figures from Weinberg's life, in an extended programme over two weeks. The core of this revolves around 16-19 February, with four days of papers, talks, and interviews. All of this is hosted in the Bolshoi Theatre, a venue that imparts a high level of prestige to the proceedings. The wider conference programme includes concerts, film screenings, and three stagings of Weinberg operas (including two separate stagings of The Passenger).
The conference is co-presented by the Bolshoi Theatre and the newspaper Muzykalnoe obozrenie.
The operas presented are:
The Idiot - Directed by Evgeny Arye, musical direction by Michał Klauza (in a production receiving its premiere on 13 February).
The Passenger - Directed by Sergey Shirokov, musical direction by Jan Latham-Koenig (a new production that received its premiere on 27 January).
The Passenger - Directed by Thaddeus Strassberger, conducted by Oliver van Dohnányi (presented by the Yekaterinburg State Academic Opera and Ballet Theatre, in a production that premiered in September 2016).
The academic side of the conference brings together over 40 scholars from across the world (the conference languages are Russian and English). The four days of the conference are organised as follows:
'Staging History of Mieczysław Weinberg's operas - The Idiot in Russia today'
'The Passenger: Past and Present'
'The Life and Legacy of Mieczysław Weinberg: Chamber Works'
(followed by an evening concert of Weinberg's chamber music)
'Mieczysław Weinberg: Identity, Biography, Personality'
Highlights of the panel sessions include:
- the creative team behind the Bolshoi Theatre's production of The Idiot
- A roundtable on The Passenger
- An interview and discussion with Zofia Posmysz, author of the novel, The Passenger, and herself a former Auschwitz prisoner.
- An interview and discussion with David Pountney, celebrated stage director, and main creative force behind the 2010 Bregenz Festival.
- A roundtable discussion with Weinberg's friends, colleagues, and family. The panel includes Weinberg's widow, Olga Rakhalskaya, and his second daughter, Anna Weinberg, as well as Tommy Persson, who has been a driving force behind much of the Weinberg revival in recent decades.
I am honoured to be speaking on 18 February, as part of a day of talks on Weinberg's Chamber Music. I will be presenting a paper titled '"An Encyclopedia of the Genre": Weinberg's String Quartets', which summarises some of the findings from my doctoral thesis.
For a full listing of the Conference schedule, please see the following link:
Any questions should be directed to the conference email address: email@example.com
Watch this space for a full conference report.