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Anon, ‘Pisma o lyubvi’ [Love
Letters], in Muzïkalnaya Zhizn,
2000/2, 18-19.
Abaulin, Dmitri, ‘Opera comes
to listeners after 38 years: Interview with Alexander Medvedev’, Rossii’skaya Gazeta (290, December 25th,
2006), 6.
Altskan, ‘Tea With the
Weinbergs’ (interview)
Anderson, Martin, “Bregenz:
Festival ‘In Der Fremde’ - Music of Mieczysław Weinberg,” Tempo, 2011,
45–64
---, “Et Cetera,” Tempo,
1996, 59–61
Barsova, Inna A.,
‘Seventy-Eight Days and Nights in Prison: Composer Mieczyslaw Weinberg’, in Research Bulletin of the Moscow
Conservatoire, 2014/2, 90-104.
Berlinsky, Valentin, Muzïka – moya zhizn [Music – My Life]
(Voronezh: Centre for Spiritual Rebirth in Chernozemny Region, 2009).
Blois, Louis, ‘Shostakovich
and his pupils’, in Mishra (ed.) A
Shostakovich Companion (esp. 492-496).
Broido, Y. ‘Jewish Themes in
Music of M. Weinberg’s opera ‘Congratulations!’, diss. St. Petersburg, 2001.
Byalik, ‘Weinberg’s Sixth
Symphony’, in 50 years of the Soviet
Symphony, Sovetsky Kompozitor, 1967.
Bylatova, Y. V., ‘Holocaust
Remembrance – History Near and Far: Reflecting on M. Weinberg’s Opera The Passenger’, in Conference
proceedings, ‘International Students’ Conference on War and Culture’, 2009,
42-46.
Days, Rebecca, “A
Chronological Overview and Stylistic Profile of Weinberg’s Piano Sonatas,”, unpublished dissertation. 2013.
Duradina, E. E., Redaktorsostavitel Otechestvennaya
Muzykalnaya, 227. Moscow, Muzika, 2002.
Dvushilnaya, Inessa, ‘Unheard
Scores: The Holocaust in the Music of Mieczyslaw Weinberg’, in Proceedings of the 19th
International Annual Conference of Jewish Studies, Vol. 1 (ed. E.
Kuznetsova) (Moscow, Centre for Jewish Studies: 2012) 105-121.
---, ‘Mieczyslaw Weinberg and
the Belorussian Conservatoire’, Vestsy
BDAM, 2010/16, 62-67.
---, ‘Fiery Freilekhs In the
Chamber Music of S. Prokofiev, D. Shostakovich, and M. Weinberg’, in Proceedings of the 16th Annual
International Conference of Jewish Studies, Vol. 2, (Moscow Centre for
Jewish Studies, 2009) 350-64.
Fanning, David, “What Counts Is the Music,” Osteuropa,
2010, 1–15.
Finkel’shteyn, E., ‘O Mastere
v lichnom toneh’, Muzïkalnaya Akademiya, 1997, No. 4, 103-6.
Flender, Reinhard, “The Story
of a Friendship: Dmitri Shostakovich and Mieczysław Weinberg,” Osteuropa,
2010.
Geiger, Friedrich, “Ideology
and Autonomy : Mieczysław
Weinberg’s String Quartets,” Osteuropa, 2010.
Genina, Liana, ‘”Vsyo budet
khorosho”: o tvorchestve M. Vaynberga’ [‘All will be well’: on the the music of
Weinberg], Sovetskaya Muzïka, 1962/8,
21-31.
Gorfinkel, Nadia, ‘My Uncle,
Weinberg’, - http://zhurnal.lib.ru/c/codikowa_a/codikowa852.shtml
, 17/03/2012.
Gutman, David, ‘Review: David
Fanning, “Mieczyslaw Weinberg: In Search of Freedom”’, Gramophone, February
2011.
Gwizdalanka, Danuta, Mieczysław Wajnberg:
Kompozytor z Trzech Światów (Poznan: Biblioteka Pegaza, 2013).
Hakobian, Levon, ‘Entry on
Weinberg, Mieczyslaw’, in Music of the
Twentieth Century: Encyclopedia (Moscow, Praktika: 2010) 106-7.
Ivry, Benjamin, How
Mieczysław Weinberg’s Music Survived Dictators, 2013, pp. 1–4
Kalushuski, Mikhael, Repressed Music, 25-8.
Keldysh, Yury (ed.), History of the Music of the Soviet Peoples (Moscow: Sovetskiy Kompozitor, 1974) Vol. 5, 78-83, 248-250.
Klokova, Antonina, “‘My Moral Duty’: Mieczysław Weinberg and the Holocaust,” Osteuropa, 2010
Kogan, F. ‘Feelings and
Thoughts – in Music’, in Muzikalnaya Zhizn, 1990, No. 17, 10.
Korev, Y, ‘Po pervïm
vpechatleniyam’, Sovetskaya Muzïka,
1960, No. 5, 12-17.
Kravetz, Nelly, “‘From the
Jewish Folk Poetry’ of Shostakovich and ‘Jewish Songs’ Op. 17 of Weinberg:
Music and Power,” 2013, 1–10
Kuhn, Judith, “Kuhn, ‘Looking
Again at the Jewish Inflections in Shostakovich’s String Quartets’,” 2013, 1–10
---, “‘Laughter through
Tears’: Shostakovich and Jewish Music,” DSCH, 2010, 1–3
Levitin, Yury, ‘New Music’ –
Pravda, 20 June 1965.
Loeffler, James, “Neither
Fish Nor Fowl : The Jewish
Paradox of Russian Music,” Jewish Quarterly, 2010.
Nikitina, Lyudmila, ‘The
Programme Symphonies of M. Vainberg’, in ‘History of Russian Music’.
---, ‘The Symphonies of M.
Vainberg’, Sovetsky Kompozitor, Moscow, 1972.
---. ‘At the Recital… M.
Weinberg’, Sovetskaya Muzïka, 1980, no. 10, pp. 32-3.
---, Soviet Music: History and the present day, pp. 174-5 (Moscow:
Muzyka, 1991).
---, ‘Every moment of my life
– is work’, (interview with Weinberg), Muzïkalnaya
Akademiya 1994, No. 5, 17-24. Available online here.
Nikolayev, Aleksey, ‘O
tvorchestve M. Vaynberga’ [On the music of Weinberg], Sovetskaya Muzïka, 1960/1, 40-47.
---, ‘Foreword to Seventh
Quartet’, in Mieczyslaw Weinberg, Seventh
Quartet, Op. 59 (Moscow: State Music Publishers, 1961) 4-5.
Ovchinnikov, Ilya, ‘He was
held back alongside Shostakovich: 85 Years since the death of Mieczyslaw
Weinberg – Interview with Berlinsky’, Gazeta,
229, 08/12/04, 13.
---, ‘Who taught Pooh to
sing?’ [Review of Weinberg’s cartoon music], Gazeta, No. 32, February 26, 2004, 15.
---, ‘The wind hums behind
the wall’ [Review of Weinberg CDs], Vremya
Novostii, 18 December 2009, 10.
Pay, Ian, “Silent no more: Weinberg's The Passenger", unpublished masters dissertation, University of Manchester, 2011.
Polyanovsky, G., ‘Bolshoy
uspech Vainberga’, Sovetskaya Muzïka,
1961, No. 8, 17-9.
Raaben, Lev, Soviet Instrumental Chamber Music, (Leningrad: Muzgiz, 1963).
Rabinovitch, David, ‘The
Creativity of Moisei Weinberg’, (Unknown – 1944) From Eynigkayt archives.
Räskatov, Alexander, and
Gavin Dixon, “Gavin Dixon Meets Composer Alexander Raskatov,” 2014.
Reilly, Robert R, Light in
the Dark: The Music of Mieczysław Vainberg, 2013, pp. 1–6.
Rösler, Manuel ‘New Work
Focus: Weinberg string quartets 14 & 15’ in Ensemble magazine, 2012/3, 62-3.
Schwartz, Steve, The
Golden Key, Op. 55 (review), 2013, pp. 1–2 http://www.classical.net/music/recs/reviews/o/oly00473a.php
Seifetdinova, Anastasia,
‘Mieczyslaw Weinberg’s Sonata No. 4 for Piano: An Analytical Study’, diss. West
Hartford, Conneticut, 2014.
Shostakovich, ‘In Hard Times
[Weinberg review], Pravda, 1975, 5th
April, 6.
Skans, Per, “Mieczysław
Weinberg - Ein Besheidener Kollege,” 2001, 1–14
Skudina, G., ‘With the blood
of the heart’ [Article on The Passenger]
in Muzïkalnaya Zhizn, 1969/1, 8-9.
Slavitskiy, Aleksandr,
‘Interview with Berlinsky’ Moskovskaia Pravda, 2000, No. 11.
Sokolvyak, Natalyia, Memorialnii kvartet v russkoy muzïke:
istoriya, evolutsia, ctil’ [The memorial quartet in Russian music: history,
evolution, style] unpublished thesis, Magnitogorsk Conservatoire, 2014.
Taruskin – ‘the Soviet mists
yield up another voice’
Vlasova, Ekaterina, ‘Look
through the years: Weinberg at 80’, Trud,
No. 11, 21/01/2000.
Voytkevich, S.G., ‘Opera The Idiot by M. Weinberg: The
Peculiarities of the Interpretation of F. M. Dostoevsky’s Novel’, in Art and Artists: Theory and Experience,
Collection of Research Papers, Issue 11, ed. N. L. Prokopovna (Komarovo,
University Press: 2013) 193-98.
Voskoboynikova, Anna, ‘Hero
from another time’, Musicalnaya Zhizn,
[Musical Life], no. 11, 2010, 20-21.
Walsh, Stephen, The Genius
of Mieczysław Weinberg, 2010, pp. 1–7
Weinberg, Mieczyslaw,
‘Service to Music’ [Tribute to Rudolf Barshai] in Sovetskaya Muzïka, 1963/1, 153.
---, 'Pervaya vstrecha s muzïkoy Dmitriya Shostakovicha' [Weinberg's tribute to Shostakovich], in Dmitri Shostakovich (Moscow: Sovetskiy kompozitor, 1967). Available online here.
---, 'Pervaya vstrecha s muzïkoy Dmitriya Shostakovicha' [Weinberg's tribute to Shostakovich], in Dmitri Shostakovich (Moscow: Sovetskiy kompozitor, 1967). Available online here.
---, ‘Zrelii Master’,
[Tribute to Yuri Levitin] in Sovetskaya
Muzïka, 1973/6, 136.
---, ‘The Joy of Discovery [Review of B. Tchaikovsky’s Symphony]’, Izvestiia, 6 February, 1981, 6.
Yakovenko,
Sergey, ‘Mirovaya prem’era – cherez desyatiletiya’ [A world premiere – after
decades], Muzïkal’naya akademiya, 1 (2007) 60-5.
Yakubov,
Manashir, ‘All my life I have eagerly composed music’, Utro Rossiye, No. 7 (67), 16-22 February 1995, 11-12. [I have a
translation, done by Julia Pevzner].
Zhmodyak,
Y., ‘Interview with Weinberg’, Sovetskaya
Muzïka, 1988/9, 23-26.
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