Tuesday 15 August 2017

Summer 2017 Update

Apologies for 'Radio Silence' on this blog over the last few months; I've been busy with work and several other projects. I'm afraid that posts on this blog are likely to be much more infrequent than during my PhD - though I will endeavour to pick up the pace as I move onto my next piece of research (see below).

Here is an update on all things Weinberg related that have happened in recent months, or are upcoming later this year.

Preparations are afoot for several exciting events for 2019, Weinberg's centenary. It's early days for planning at the moment, but I can confirm that there are major celebrations planned for Manchester and London over 2019.

Performances of Weinberg's music continue to increase in frequency, especially in the United States, where his chamber music is enjoying special attention.

February's Moscow Conference was a fantastic success, featuring four days of talks and presentations, along with concerts and opera performances. For an excellent write-up of the event, see Michelle Assay's review in DSCH Journal, issue 47.

This year has seen new productions of The Passenger in Moscow, and also a new production of Congratulations ['Mazl' Tov!'] in Heidelberg.

Later this year, Weinberg's Violin Concerto will receive several outings from several different touring ensembles. First, there is Gidon Kremer, continuing his passionate support for Weinberg's music. Secondly, there is Linus Roth, who has recently completed his project to record all of Weinberg's violin music. Finally, there is Mirga Gražinytė-Tyla, who will be conducting the work with the Los Angeles Philharmonic.

The Novaya Opera in Moscow have further performances of their hugely successful production of The Passenger - with more information available here. Also, see trailer below.

In October, Weinberg's Second Piano Sonata will be heard in the UK on two consecutive evenings, though by different pianists in different cities. Katya Apekisheva will perform the work on Fri 5 October, as part of the London Piano Festival at Kings Hall, and Murray McLachlan will perform it on Sat 6 October at the Stoller Hall in Manchester (McLachlan, of course, recorded a much-loved cycle of Weinberg's piano sonatas in the late 1990s).

In addition to all this, the Musikverein in Vienna will see a performance of Weinberg's Piano Trio by the Altenberg Trio with Christopher Hinterhuber.


The Semperoper Dresden supplied this extended preview of their production of The Passenger from earlier this year. 

Similarly, the Moscow Novaya Opera supplied this trailer for their superb production of the same opera.

A number of exciting CDs are upcoming, or have just been released. Here is a selection:

The Silesian Quartet, Wajnberg, String Quartet 7 + Piano Quintet (Accord)

This disc is the first in a new cycle of Weinberg's String Quartets, performed by the excellent Silesian Quartet. If this CD is anything to go by, it will be a superb cycle. They are joined by pianist Piotr Sałajczyk for Weinberg's Piano Quintet.

Gabriel Chmura, Sinfonia Iuventus, Weinberg Fifth Symphony (Warner Classics)

The Polish Simfonia Iuventus, conducted by Gabriel Chmura, opt to combine Weinberg's Fifth Symphony with Prokofiev's Fifth in their first disc on the Warner Classics Label. This is sure to be an interesting combination, and I certainly look forward to this release.

Grigory Kalinovsky and Tatiana Goncharova, Weinberg Complete Sonatas for Violin and Piano (Naxos)
Naxos continue their steady stream of Weinberg releases with this excellent set of Weinberg's sonatas for violin and piano - a welcome addition to the extensive range of options for this repertoire. 

In terms of academic work on Weinberg, several upcoming releases are in preparation, though the majority are expected for the 2019 centenary. Several academic theses on Weinberg's music have been completed recently, including Anna Voskoboynikova on the piano works, and A.S. Conway on his Flute music.

As for myself, as well as regularly teaching at Royal Holloway, I am currently beginning work on a large-scale project that will result in a monograph on Weinberg in his Polish context(s). More details to follow soon.

As always, if readers wish to promote any new recordings, concerts, or any new research, please don't hesitate to get in contact.

All best,


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